Theatre of the absurd: when accidents take over

We used to complain about interruptions unscripted - but sometimes the outside world can affect a game in the sense

In summer, just at the end of the devastating DruidMurphy A whistle notes in dark and light synthetic began to bleat to the front of the auditorium, dissipate anger on stage, encouraging seats. Another game killed by mobile phone.

Similarly, the performances were marked by broken heating systems, failing, CA customers chatty, texting spectators, and a well-dressed woman who looked as if she could not resist kicking my seat difficult - to say nothing of mishaps on stage. Each performance is, of course, a live event in real time, most often seen in a crowd rather than in the comfort of your couch alone. Therefore, the chance is constantly threatening the integrity of the event.

But what about the happy accident, disaster friendly scene or the sky or the seat is simply a game instead of Mars? I remembered that piece to attend the Panoply Performance Laboratory, an ambitious company continues to work to distill a group of sophisticated ideas by word and action. In a prequel rainy streets, joining the local bizarre animated opera. Horns honked, children gawped, and part of the public participation in a youth shouted: "What are you doing Simon Says?"

• But an hour later, he began to tire a little, looking like he was about to end and then passing. When there is a long pause, everyone seemed to cheer terrible fear, anticipate closing. While we were waiting, a baby (which was very good throughout) was released to his mother and got into the game space Then he sat down, stammered and began to beat her wrists together chubby. A minute later, an adult took the tail and soon everyone was laughing and applauding - a silly finish, soft and triumphant

Also, I saw a Broadway revival Dozy temporarily powered single helpless laughter and a much better actor when chivalrous man to my left and noticed my fatigue I had a handful of chocolate covered raisins. And I do not know how I would have done by Punchdrunk felt like a chivalrous kiss if others did not let me grab his arm around a little scary. (Mari, if you read just cling to strange men within the theater ... promise.)

both timely intervention is not human. I live in hope that the couple once lived experience raccoons outside Shakespeare Theatre Delacorte representation. In the same space, Romeo and Juliet were saved once by a cruel fate timely storm that canceled the last act. And a frequent companion to the theater happily recalls the sounds of thunder outside external dynamic scene in Lear broom and horse defecate remarkably apt in Die Walküre.

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